Haley Nelson (she/her), originally from Northern California, chased her dream of making new theatre all the way to Dallas, Texas. She fell madly in love with the city's thriving arts scene and kind people while attending Southern Methodist University in pursuit of her BFA in Theatre. While in school, Haley interned at the Ko Festival (Amherst, Massachusetts), was active in Southern Methodist University Student Theater and the school's mainstage productions, and received the 2017 John and Claire Rosenfield Award for Playwriting (and the Charley Helfert award for kindest first-year student in 2014). During her sophomore year, she was signed as a company member to House Party Theatre (TheatreJones's Best New Theatre Company of 2015), and became a prolific producer and playwright for the group, her work being produced at many of the company's non-traditional theatre festivals, and at venues including the Dallas Museum of Art. Her years of experience with this small company have led to her consulting and producing for a variety of other grassroots theater companies in Dallas and beyond.
At the heart of her theatre obsession is a love for words, which she has turned into a thriving freelance career in dramaturgy. She currently serves as the Manager of Literary and Community Initiatives at Kitchen Dog Theater (a National New Play Network core member), and created the interactive lobby display initiative there. She was the literary associate for the inaugural Dallas Theater Center New Play Week, providing feedback on new works by playwrights Kate Hamill, Janielle Kastner, and Kenny Finkle, whom she continues to assist on his commission for the Center. She is also a researcher for Spoke Media’s BREACH podcast, and the Monday Night Playwright workshop dramaturg for Theatre3. Other projects have included dramaturging Artstillery's DIRTY TURK, the first in a trilogy of site-specific, multimedia immersive plays about immigration, which premiered in August of 2018, script-reading for conferences including Seven Devils and Playwrights’ Center, and assisting Mark Bly at the 2018 Kennedy Center New Play Dramaturgy Intensive. Her commitment to dramaturgy and her community has been recognized through several grants - the 2017 LMDA Bly Creative Capacity Grant, through which she explored “Integrated Dramaturgy” at Kitchen Dog Theater, and an inaugural Actors Theatre of Louisville Emerging Leaders Grant, created to recognize employees of small theaters devoted to promoting new work.
A small sample of her playwriting can be found on her New Play Exchange page, and she is available for freelance work in dramaturgy, playwriting, producing, and acting. Shoot her a message and she'll get back to you, right after she waters her crowd of houseplants and finishes the most recent episode of "Documentary Now!".
Literary Managers and Dramaturgs of the Americas - Regional Vice President: Third Coast (Arkansas, Oklahoma, Texas)
Dallas Playwrights' Collective (led by Jonathan Norton)
Women Galore Literary Festival - Theatre Subcommittee